![]() Headroom: 2:3 M.) There follows an adventure tale involving a corrupt television network overstimulating viewers to death with super-short subliminal commercials called “ blipverts. With Coca-Colas selection of a digital, computer-constructed spokesthing named Max Headroom, came a dramatic shift toward a reliance on high technology. Max Headroom became a global spokesperson for New Coke, appearing on many TV commercials with the catchphrase Catch the wave. (The last thing he saw before an automobile accident that read Max. In a one-year 400,000 deal to lure back young soft drink buyers it was losing to Pepsi, the Max Headroom ad campaign was created by Coca-Cola. His first appearance was in a 1985 dystopian comedy for British television, Max Headroom: 20 Minutes Into The Future, in which a television journalist played by Frewer named Edison Carter gets his consciousness cloned and uploaded into an AI wacky television host named Max Headroom. While the image of Max Headroom is likely familiar to most, the origin of this character can get a little murky. (Stream Mandy or, better yet, The Greasy Strangler, if you dare.) While a reboot of an old “oh, I know that!” IP can often lead to rolled eyes, anyone who has seen a SpectreVision project knows this group comes correct. Max Headroom was brought in around the time of New Coke to give Coke a fresher look to young people. Halt and Catch Fire co-creator Christopher Cantwell, working with Elijah Wood and Daniel Noah’s company SpectreVision, will bring the series to AMC. Max Headroom, the perplexing fictional character played by Matt Frewer in a variety of television forms, is coming back, as per an announcement in Deadline. ![]() ![]() Grab your floppy discs, crank the Duran Duran, and crack open some ice cold New Coke.
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